Las óleos de todo Pollard, James
ID Image  Painting (From A to Z)       Details 
27435  
Pollard, James, A Meet Outside The Swan inn
  		 A Meet Outside The Swan inn   signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
28009  
Pollard, James, A Street Scene with Two Omnibuses
  		 A Street Scene with Two Omnibuses   1845 Oil on board 24.7 x 32 cm (9 3/4 x 12 5/8 in) Museum of London (mk63)
19910  
Pollard, James, Hatchetts- The White Horse Cellar, Piccadilly
  		 Hatchetts- The White Horse Cellar, Piccadilly   Oil on canvas.
27315  
Pollard, James, Springing Them up to meet the Train and Just in time for the Coach to Hull
  		 Springing Them up to meet the Train and Just in time for the Coach to Hull   both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
19909  
Pollard, James, The Last Mail Leaving Newcastle, July 5, 1847
  		 The Last Mail Leaving Newcastle, July 5, 1847   Oil on panel.
28010  
Pollard, James, The Royal Mail Coaches for the North Ieaving the Angel Islington
  		 The Royal Mail Coaches for the North Ieaving the Angel Islington   1827 Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
Pollard, James
English, 1792-1867 Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.



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